Category: Acting

  • CHATROOM at the Tristan Bates Theatre

    CHATROOM at the Tristan Bates Theatre

    Christos will appear alongside Liesl Jensen and Eva Ditzelmüller in Enda Walsh’s CHATROOM directed by Abigail Graham. This is his last show as part of his 3 years at East 15 Acting School.

    • CHATROOM by Enda Walsh
    • MAY 31 to JUNE 2
    • Tristan Bates Theatre, The Actors Centre

    Christos will be leading this cast along Liesl. He is playing William and Liesl is playing Jim. The full cast includes Dominik Cicak as Jack, who he played with in November in Generation Z, Magdalena Skerencak as Emily and Roze Elisa as Laura.

    Information on the Tristan Bates Theatre website: https://www.tristanbatestheatre.co.uk/whats-on/chatroom-burn

    Recently, Simon Stephens, called the Class of 2018 “an inspiring bunch of groovy fuckers” after seeing them in a dress rehearsal of his play THREE KINGDOMS with director Tom Hughes calling the class “brave and fearless” – so all of the ensemble is looking forward to enjoying the project and making the most of the last show.


    In other news, with ARCO DEUM, a new release – a new song two weeks ago as a response to America’s unhealthy relationship with guns. It’s called AVALANCHE and it’s on Spotify.


    New Headshots with Chris Mann

  • THREE KINGDOMS by Simon Stephens

    THREE KINGDOMS by Simon Stephens

    We, the INTS at East 15, are currently working with an insane dude and brilliant director called Tom Hughes on a play called THREE KINGDOMS. Tom’s method of working is fucking fun. His rehearsal space is epic. I finally feel free to work, to own my own, within the parameters of the play. A freedom partly bestowed upon us by the playwright, Simon Stephens, who, in conversation, when I asked him about how he felt on altering and reshaping his work, he differentiated himself from a novelist, saying he feels very much like a theatre maker, who gives the starting point to a larger creative exploration. That, being the role of the playwright. A word he also etymologically explained.

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    Improvised nightmare scene out of nowhere, during the break.

    So far, every day of rehearsal, we dance, and sing, and create and explore.

    The picture above was taken by Tongchai O. Hansen, our AD and fellow INT of 2018, who will be documenting our process on his personal blog. So, head over to Tongchai’s to read his journal!

    Meeting Simon was an absolute joy, I love meeting people who are passionate about their work, and he is a very charismatic person. He offered us very interesting comments and opinions on theatre, working on a play and his own methods. I left that meeting entirely inspired and motivated to work, and now, I’m hoping this inspiration can stay with me, as motivation and self-confidence can always fluctuate.

    In other news, Higher Hopes has been slightly delayed, but still streamlined for release this month.

    Featured Image: Christos Floros, Tom Hughes and Simon Stephens (left to right) (c) Tongchai O. Hansen

     

     

  • GENERATION Z by Christos Floros concludes run at the Corbett Theatre

    GENERATION Z by Christos Floros concludes run at the Corbett Theatre

    What an incredible project is has been, Generation Z or Uncertainty of a Scattered Mind has been such a wonderful project to be a part of.

    I started writing this play almost 3 years ago, and to perform it at the Corbett with this wonderful team, and to have it be so well received – a dream, if I may say, come true.

    When I find the time, I hope to write more extensively about the whole process.

    For the moment, we’re back filming.

  • GENERATION Z at the Second Annual International Festival.

    GENERATION Z at the Second Annual International Festival.

    Generation Z or Uncertainty of a Scattered Mind opened at the Corbett Theatre last week and we’ve had a blast.

    It has been an incredible and humbling experience to work and act in a script that was so personal to me.

    A huge thank you to Eduardo Almeida who directed the piece, to all of the wonderful cast, our technical support team and the amazing and loving audiences.

    Thank you.

     

  • London Shakespeare Workout with Bruce Wall

    London Shakespeare Workout with Bruce Wall

    On July 5th I went to prison for the first time in my life. HMP Pentonville.

    One by one we passed through security doors, into the inner-outer courtyard, then into the main building and then into the interior courtyard that connects all the wings together.

    It seemed like a scene from Guardians of the Galaxy (a hilarious movie) with prison cells built along 4 or 5 floors with boat-like materials, heavy stairs, heavy doors, not much light. (The aforementioned movie is no longer as funny)

    I realise now – We pack humans like cows when we put them to prison – and treat them like chicken.

    The prison is a prime showcase of where we fail as a society.

    However and aside from long and extensive criticisms I’d be tempted to state here regarding our prison systems, upon meeting the prisoners at the library – for a few hours – the darkness of these walls escaped us.

    Bruce Wall shares the gift of language, through Shakespeare with inmates of prisons around the world.

    He makes it a point to ensure we as visitors and volunteers keep the energy high throughout the day, encouraging and supporting the inmates.

    Some are shy, like V, a typically shy introvert who has been in this prison since after his escape from his previous prison. Some have been at a previous workout, some have a long time left – or a life sentence to complete – in this prison. Some have tired voices, one sounds like Morgan Freeman.

    Regardless of ethnicity or background, these inmates are equally participating in this Shakespeare Workout.

    Regardless of which language they originally speak, Bruce brings them in, with movement and ensemble work – and then encourages us to listen to our heart. To our heartbeat. To the rhythm of our blood flowing through our body. De dum de dum de dum de dum de dum. This is the heartbeat of the English tongue. This is his very passionate and sweaty Introduction to the iambic pentameter.

    After playing various games and exercises, all using Shakespeare verse or scenes – the inmates and participants are all invited to write, within the final minutes, a few lines in iambic.

    And some of the words shared are genius. Some of the words we didn’t hear I presume are even better.

    The will and motivation of these prisoners, their perspective on life and their expression through their new iambic poetry teaches us, in the end, more than we teach them in these sessions.

    The entire workout, goes by in an instant, an instant of Shakespeare, shouting, singing, flying paper planes, and laughter.

    And then, it’s over. And yet these inmates, these prisoners, these men – these human beings, on their way to the dry holes or cells – these men, thank us, as we thank them for participating, and leave, with more energy than all of us combined, each one, with a smile, leave the library area where we have met.

    We then leave.

    I then have enough thinking to do about prisons for a lifetime.

    One conclusion I draw immediately. Shakespeare and the mastery of language is freeing. Engaging with it in this environment, close to necessary.

    Thank you Bruce Wall, for running this wonderful workout. Bruce does a service to society – and society shouldn’t forget those hidden behind tall walls.

    I apologise for the abruptness of this post.

    For more information about Bruce Wall and the LSW check out http://www.londonshakespeare.org.uk/

    London Shakespeare Workout (LSW) Prison Project, a fully registered national charity with the Charity Commission of England and Wales (No. 1084717)
  • Sir Ian, Sir Gregory & Sir Matthew

    Sir Ian, Sir Gregory & Sir Matthew

    Sir Ian McKellen graced us with his presence at the Arcola for our penultimate evening.

    Here’s a quick shot I grabbed of McKellen giving his comments to our Richard, Greg Hicks and our Catesby, Matt Sim as I thought they all looked rather lovely.